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Thomas Choir of Leipzig under Georg Christoph Biller; he then went on to complete his singing training at the Felix Mendelssohn-Bartholdy Academy of Music in Leipzig with Professor Berthold Schmid, graduating with distinction in the master-class examination.

Patrick Grahl attended master-classes held by Peter Schreier, Gotthold Schwarz, Gerd Türk, Ileana Cotrubaş and Prof.

Three Bell Strokes Gregorian Chant: Requiem aeternam Reading*: Letter of Mozart to his father, 4 April 1787 Wolfgang Amadeus Mozart Maurerische Trauermusik C Minor K 477 (479a) Gregorian Chant: Domine exaudi orationem meam Wolfgang Amadeus Mozart Laudate Dominumfrom Vesperae solennes de Confessore K 339/5 Gregorian Chant: In quacumque die Reading: Nelly Sachs (1891-1970)„Wer weiß, wo die Sterne stehen“ „Wenn im Vorsommer“ Wolfgang Amadeus Mozart Requiem K 626I. Kyrie Reading: Book of Revelations 6, 8-17 Wolfgang Amadeus Mozart Requiem K 626III.

This limitation ceased after 1989 and since then it has been intensively recording and giving concerts abroad, too (Italy, Spain, France, Belgium, the Netherlands, Germany, Austria, Switzerland, Norway, Sweden, Slovakia, Hungary, Poland, Israel, Japan).

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2, with the Czech Philharmonic and its principal conductor, Semyon Bychkov; this will be followed up by the recording of the same symphony for Decca Classics), and further work with the Israel Philharmonic, this time under the baton of Manfred Honeck.The Prague Philharmonic Choir (PPC) is a leading European vocal ensemble, and as one of the Czech Republic´s foremost artistic institutions operates under the trusteeship of the Czech Ministry of Culture.In the course of the choir´s long history since its foundation in 1935, it has been directed by a succession of some of the most distinguished Czech choirmasters (including among others Jan Kühn, Josef Veselka and Pavel Kühn).The first of these, a recording of Antonín Dvořák´s Stabat Mater (Decca, 2017), with Jiří Bělohlávek conducting, received the prestigious Diapason d´or de l´année award for the year´s best album in the sacred music category.The second, a recording of Bohuslav Martinů´s The Epic of Gilgamesh (Supraphon, 2017), under the baton of Manfred Honeck, won several awards in the United Kingdom, plus another Diapason d´or.

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